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Rare Birds single

by Marshall Brown

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1.
2.
Rare Birds 04:12
Sitting on the bank a-drinkin and a-smokin All the people think that my heart must be broken But I'm happy as a bumble bee When the trees are puttin out in Spring I don't even mind I don't have a steady job But people treat me like I'm a hillbilly Bob So a hillbilly Bob I'll be Cause their rules don't mean a thing to me Some rare birds they don't bother flying south (Their home is where they make it) Some rare birds they don't bother opening their mouths (But they're singing on the inside) You'd be a fool to say "Why's that little bird bein quiet as a mouse And shouldn't he be gathering to build himself a house?" Why should he spread one wing When he could just be sitting there The wind would brush his feathered hair And he'll feel like a bird of paradise Sitting on the bank of this dirty old river Cloggin up my lungs and beefing up my liver There's one thing that's so plain to see This hillbilly Bob is free Some rare birds they don't bother flying south (Their home is where they make it) Some rare birds they don't bother opening their mouths (But they're singing on the inside) You'd be a fool to say "Why's that little bird bein lazy as can be Shouldn't he be keeping up with the hummingbirds and geese?" Why should he spread one wing When he could just be sitting there The wind would brush his feathered hair And he'll feel like a bird of paradise
3.
I was walking through the woods and heard the strangest thing A bird with a tape recorder on her beak But when I got closer I came to find It was no tape recorder, it was in real time Sounded like a chainsaw Imitating things she saw and heard Bird just like a chainsaw Warning all the animals, not just birds She came from a land so far away It was no particular place and time to migrate She found herself in a homeland without a home And no place to build a nest and care for her own

about

First single promoting Second Childhood.

Track 1 is a jazzy interlude acting as an intro to the single, Rare Birds. It often was played as an intro to the song live as well.

Track 3 is an experiment in cutting and pasting different recordings together to make one song. The verse sections were recorded in a very live manner and the chorus sections were recorded separately with a more dubbed style. They were spliced together after being recorded. Listen for the oscillating distorted guitar that sound like a chainsaw.

credits

released August 11, 2015

all songs written and recorded by Marshall Brown
mastered by Zac Thomas at The Jam Room
picture on front cover taken by Mary Todd
all other artwork by Marshall Brown

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Marshall Brown Columbia, South Carolina

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